Test Drive
A huge part of How To Train Your Dragon being a stunning film, as with most stunning films, has to do with the music. My friend, Jonathan, has recently been whistling a part from probably the best track of the film, Test Drive, and it has totally been stuck in my head as well now. Funny thing is that the first time he was whistling it, I thought it was part of a track from The Bourne Ultimatum, Assets and Targets, which is another fun one. No, it was from Dragon, but then we realized that they were both written by John Powell. I thought that was pretty funny/cool. What is it with Johns and great film scores?
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